ECCU Generative AI & Python Summer Camp 2026 — Level 2
CINEMATIC
EDITION
Multimedia Division
📅Jul 13 – Aug 6, 2026
📆17 Weekdays
👥5 Teams · 4 Real Clients
🎬3-Minute Deliverable Per Client
🤝Client Meetings: Days 3, 8 & 13

You are the director. AI is your crew.
This year the studio has real clients, real briefs, and real deliverables. Students produce a polished 3-minute multimedia video for an actual Caribbean business or government organisation — using AI tools as their production team and Claude as their prompting collaborator.

Section 01 — Client Intelligence
CLIENT
STRATEGY

Three confirmed clients across the Eastern Caribbean. Each has a distinct audience, communication challenge, and creative need. Teams study this before Day 3. Walk into every client meeting knowing more about their world than they expect.

🇩🇲
Outsource Development Studio
Roseau, Dominica
Consulting

A full-service business consultancy with 15+ years of experience in BPO, HR solutions, logistics, and professional development. They've grown beyond their boutique origins but their digital presence hasn't caught up. They need the world to see who they've become.

Core challenge

Need more international and regional recognition. Their expertise is deep but their story is untold outside Dominica.

Brand Story Corporate Profile Social Media Cinematic Human-Centered

Ask on Day 3

  • What does "exceptional service" look like for you in a real client moment?
  • Who is your ideal client — paint us a picture of them
  • What's the one thing you want people to feel after watching this video?
  • Do you have video testimonials or are interviews needed?
  • What has been your most transformational client success story?
🇦🇬
Digicel Group
Antigua & Barbuda
Telecom

Everyone knows Digicel for mobile. The challenge: corporate clients don't yet see Digicel as a one-stop enterprise solutions provider. They need to shift perception — from consumer telecoms to serious B2B partner offering cybersecurity, managed services, vehicle tracking, and more.

Core challenge

Corporate clients see Digicel as a phone company. The video must reframe them as a credible enterprise technology partner.

B2B Corporate Product Explainer Cybersecurity Premium Tone TV Delivery

Ask on Day 3

  • Which service is the priority — cybersecurity, or equal weight across all?
  • Can you share a real corporate client problem these services solved?
  • Who specifically watches this — C-suite, IT managers, procurement?
  • What does Digicel's brand voice sound like — assertive, reassuring, innovative?
  • Are there existing product demo videos or screenshots we can incorporate?
🇬🇩
Inland Revenue Division
Grenada
Government

Grenada's tax authority trying to make compliance feel relevant — not threatening — to a broad public including young people. They have existing footage, brand assets, and a clear message need: taxes matter, GTax makes it easy, compliance benefits everyone. They want motion graphics, animation, and social reels that actually get watched.

Core challenge

Taxpayers only engage during peak tax season. The video must make compliance feel civic, accessible, and relevant year-round.

Public Education Animation Motion Graphics Youth Audience Social Reels

Ask on Day 3

  • What existing video footage is available and can we review it?
  • Is the primary audience young people, or general public — who matters most?
  • How do you want people to feel about paying taxes — proud? informed? motivated?
  • What is GTax and how does it make compliance easier for the average person?
  • Are there any topics or framings that are off-limits politically?
Section 02 — Production Briefs
CLIENT
BRIEFS

One page per client. The working reference students keep open during production. Creative direction, tools, tone, dos and don'ts — everything a team needs to stay on brief across all three weeks.

Making Credit Visible for Every Caribbean Citizen
"A film that makes an ordinary Kittitian — a young person, a market vendor, a first-time borrower — understand what credit reporting is, why it matters to their life, and how to take control of it."

Audience

  • General public — all citizens across eight OECS member countries
  • Young people entering the credit system for the first time
  • Small business owners and entrepreneurs
  • Financial institutions, utilities, telecoms, hire purchase companies

Tone & Visual Style

  • Warm, accessible, educational — not dry or institutional
  • Animation and motion graphics to explain abstract concepts
  • Caribbean faces and Caribbean settings — authentically OECS
  • Mixed media — animation with real photography integration
  • Colour palette: trust blues, warm golds, clean whites

Key Messages

  • Credit reporting affects every citizen — not just borrowers
  • You have rights — including the right to access your own report
  • Understanding your credit score is the first step to financial freedom
  • ECCB is here to make this system fair and transparent

Platforms

  • Website — eccb-centralbank.org
  • WhatsApp
  • Facebook — ECCB Connects
  • Instagram
  • TikTok

Available Assets

  • Logo files ✓
  • Brand guidelines ✓
  • Product images ✓
  • Scripts & content drafts ✓
  • Social media content ✓

Tool Stack for This Brief

OpenArt Image & Video ElevenLabs Suno AI CapCut Canva

Do / Don't

✓ DO

  • Make it feel relevant to everyday life
  • Use clear Caribbean characters
  • Explain credit simply — no jargon
  • End with a clear call to action

✗ DON'T

  • Use cold banking visuals
  • Overwhelm with technical terms
  • Make it feel like a government warning
  • Forget the social reel format
The Human Story of Business Excellence
"Show the person behind every service — a video that feels like meeting the team for the first time and immediately trusting them with your business."

Audience

  • Regional and international business owners
  • HR managers and procurement leads
  • Aspiring entrepreneurs in the Caribbean
  • Public and private sector decision-makers

Tone & Visual Style

  • Warm, confident, professional — not corporate cold
  • Cinematic storytelling with a human face
  • Caribbean environment as a strength, not a limitation
  • Documentary-style interview cuts + motion graphics
  • Colour palette: warm earth tones, clean whites, accent teal

Key Messages

  • We transform expertise into exceptional service
  • 15+ years of real results across the region
  • From BPO to HR to logistics — one trusted partner
  • We make your business better

Platforms

  • Website hero video
  • Facebook & Instagram
  • LinkedIn (professional framing)
  • Event presentation screen
  • Email campaign embed

Available Assets

  • Logo files ✓
  • Brand guidelines ✓
  • Professional photos ✓
  • Social media content ✓

Tool Stack for This Brief

OpenArt Director ElevenLabs Suno AI CapCut Canva Meshy AI

Do / Don't

✓ DO

  • Lead with a human moment
  • Name real services clearly
  • Use warm Caribbean visuals
  • End with a clear call to action

✗ DON'T

  • List every service robotically
  • Use cold corporate stock aesthetic
  • Make it longer than 3 minutes
  • Forget the regional angle
Beyond the Network. Your Business, Secured.
"A premium corporate showcase that makes Caribbean businesses feel that Digicel is the only partner they need — from connectivity to cybersecurity."

Audience

  • Corporate clients and C-suite decision-makers
  • IT managers and procurement leads
  • Business owners across Antigua & the region
  • Internal staff (training and awareness)

Tone & Visual Style

  • Premium, authoritative, credible — not salesy
  • Tech-forward but accessible — no jargon without explanation
  • Dark cinematic palette with Digicel brand red accents
  • Product demonstration style — show, don't just tell
  • Interview/testimonial cuts anchored by motion graphics

Key Services to Feature

  • Cybersecurity solutions
  • Managed services
  • Push to Talk
  • Vehicle tracking
  • Body cameras + Concierge services

Platforms

  • Television broadcast
  • Website
  • Facebook & Instagram
  • Event presentation screen
  • Internal company intranet
  • Email

Available Assets

  • Logo files ✓
  • Brand guidelines ✓
  • Note: No existing footage confirmed

Tool Stack for This Brief

OpenArt Director ElevenLabs Suno AI Meshy AI CapCut Luma AI

Do / Don't

✓ DO

  • Lead with a business problem solved
  • Make cybersecurity feel urgent
  • Use premium dark visuals
  • Show product in context

✗ DON'T

  • Lead with the Digicel logo
  • Use consumer mobile imagery
  • Use technical jargon unchecked
  • Ignore TV delivery quality bar
Your Taxes. Your Community. Your Future.
"Make tax compliance feel like civic pride — engaging, clear, and genuinely useful for Grenadians of all ages, especially young people."

Audience

  • All taxpayers in Grenada
  • Secondary school and tertiary students
  • HR and Finance managers
  • Ministry staff (internal education)
  • General citizenry — broad reach

Tone & Visual Style

  • Approachable, educational, positive — not threatening
  • Animation and motion graphics as primary visual language
  • Infographic-driven — data made visual and digestible
  • Mixed media — existing footage + AI-generated animation
  • Grenadian cultural references — make it feel local

Key Messages

  • Tax compliance builds the community you live in
  • GTax makes registration and filing simple
  • Everyone benefits when everyone contributes
  • IRD is here to help, not just collect

Platforms

  • Website
  • WhatsApp (short-form clips)
  • Facebook & Instagram
  • Email campaigns

Available Assets

  • Logo files ✓
  • Brand guidelines ✓
  • Existing video footage ✓ — review on Day 3

Tool Stack for This Brief

OpenArt Director OpenArt Images ElevenLabs Suno AI CapCut Canva

Do / Don't

✓ DO

  • Make it feel like it belongs to Grenada
  • Use animation for complex ideas
  • Show GTax as easy and accessible
  • Include youth-relevant framing

✗ DON'T

  • Make taxes feel scary or punitive
  • Use dense financial language
  • Ignore the existing footage asset
  • Forget social media reel cuts
The Gateway to the Federation — by Sea and by Air
"A cinematic brand film that shows the world — passengers, airlines, shipping partners, investors — that SCASPA is more than a port authority. It is the engine of St. Kitts & Nevis's connectivity, trade, and tourism. Professional. Modern. Proud."

Audience

  • Airlines, cruise lines, shipping companies, ferry operators
  • Cargo and logistics providers, importers and exporters
  • Tourists — cruise passengers, stay-over visitors, regional travellers
  • Government agencies and strategic partners
  • Investors and regional maritime/aviation partners
  • General public of St. Kitts & Nevis

Tone & Visual Style

  • Cinematic, authoritative, proud — not bureaucratic
  • Mixed media — live action, drone footage, motion graphics, documentary
  • Real locations: runway, port, cruise terminal, cargo facilities
  • Before-and-after project visuals where relevant
  • Colour palette: deep navy, silver, Caribbean sky blue, gold

Key Messages

  • SCASPA is the gateway to the Federation — by sea and by air
  • Safe, efficient, and modern airport and seaport services
  • Driving connectivity, trade, and tourism across St. Kitts & Nevis
  • Transparency, innovation, and stakeholder-focused communication

Platforms

  • Website — scaspa.com
  • Facebook & Instagram — scaspa1993
  • TikTok & YouTube
  • Television
  • Event presentation / screen
  • Airport & cruise terminal digital signage
  • Future SCASPA mobile app

Available Assets

  • Logo files ✓
  • Brand guidelines ✓
  • Existing video footage ✓
  • Professional photos ✓
  • Drone footage ✓
  • CEO & executive interviews ✓
  • Airport & seaport B-roll ✓
  • Historical media archives ✓

Tool Stack for This Brief

OpenArt Director Meshy AI ElevenLabs Suno AI CapCut Luma AI

Do / Don't

✓ DO

  • Show the scale and scope of operations
  • Use real locations — runway, port, terminal
  • Lead with national pride and connectivity
  • Include stakeholder voices

✗ DON'T

  • Make it feel like a government PSA
  • Try to cover everything in 3 minutes
  • Use generic airport stock footage
  • Forget the tourism and trade angle
Section 03 — Studio Tool Flow
HOW THE
TOOLS CONNECT

Every tool has one job and hands off to the next. The client brief is the starting point. OpenArt is the anchor that everything feeds into. Claude sits between students and every platform as their prompting collaborator.

00
Client
Brief
The starting point
Client Brief
Brand guidelines, assets, goals
→
Claude
Prompting collaborator
→
Students describe the client's brand, audience, and visual needs to Claude. Claude helps craft precise, production-ready prompts for every platform. This is how professional AI studios work — Claude is the bridge between creative intent and technical output.
01
Visual
World
Week 1 · Days 1–5
Meshy AI
Text-to-3D characters + props
→
Students build their client's characters and key visual assets in 3D. Meshy builds spatial understanding — students who have seen their character from all angles write fundamentally better OpenArt prompts. Meshy renders feed directly into OpenArt's character builder as reference images.
OpenArt
Concept art + character builder
→
Meshy renders + Claude-crafted prompts → OpenArt image generation. Character Builder locks the character's face and style for the entire film. Concept art library established — every storyboard panel gets a reference image. This visual identity carries through all of Week 3 production.
Luma AI 🌍
Gaussian splat · exploratory
→
Exploratory only — portfolio documentation. Students capture a real Caribbean location on their phone (Day 4 homework) and explore it as a navigable 3D environment on Day 5. Cultural immersion, industry awareness, emerging technology exposure. Does not feed into the client deliverable.
Plask.ai 🕺
Motion capture · exploratory
→
Exploratory only — portfolio documentation. Students record a culturally meaningful movement and watch it become animation data in the browser. Introduces motion capture as an industry concept. Does not feed into the client deliverable.
02
Sound
Stage
Week 2 · Days 6–10
Suno AI
Scene-matched music
→
Storyboard open, musical mood assigned per panel. Claude helps craft music prompts that match the client's brand tone. Scene-specific tracks generated and curated into a music library. Selected tracks feed into the final CapCut audio master in Week 3.
ElevenLabs
Voice + dialect narration
→
Narration script written panel by panel → fed into ElevenLabs. Voice profiles tested and calibrated to the client's audience. Output: timed narration audio, lip-sync ready. This audio file feeds directly into OpenArt Director mode for character lip sync in Week 3.
Freesound
SFX + ambient audio
→
Scene-by-scene soundscape — every storyboard panel gets its sonic world. Freesound + ElevenLabs SFX layered under music tracks. Full audio master assembled on Day 7 afternoon. This master file is the audio backbone of the final film.
Python 🐍
Soca beat machine · Day 10
→
Fun session — no client pressure. PyDub soca beat machine on Day 10 morning. Students build a Caribbean-flavoured track: intro, build, drop. Cool points: if the beat fits the client's video opening or closing, it can be included. Otherwise it's a standalone portfolio piece.
★
OpenArt
Anchor
$56/team · Infinite plan
OpenArt Director
The full studio in one platform
→
Everything feeds here. Week 1 character references + concept art + storyboard + Week 2 narration audio + music tracks → students open Director mode and describe their film in conversation. OpenArt generates scenes with consistent characters, lip-synced dialogue, music, and SFX — all in one platform. Kling 3.0 · Veo 3.1 · Sora 2 · Seedance 2.0 under one credit pool. Image-to-video · text-to-video · start/end frame · multi-character scenes · Director mode — students know all of this before Week 3 begins (Day 9 reveal session).
03
Video
Production
Week 3 · Days 11–15
OpenArt
Full film generation
→
Days 11–12: Full film generated in Director mode. All scenes produced with consistent characters. Start/end frame chaining applied between scenes for visual continuity. Every clip reviewed against the client brief before keeping. Gap analysis on Day 12 afternoon.
CapCut
Final assembly + polish
→
All OpenArt video clips + locked audio master + narration + titles assembled in CapCut. Colour grade, transitions, pacing, credits. Near-final cut screened for client on Day 13. Film locked on Day 14. Watermark-free export ready for delivery.
Canva
Pitch + portfolio
→
Director's commentary presentation built in Canva on Day 15. What was the brief? What creative decisions were made? Which tools were used and why? A professional reflection that shows the studio's thinking, not just its output. Delivered at the Premiere alongside the film.
🤝
Client
Touchpoints
Days 3 · 8 · 13
Day 3
Discovery meeting
→
Day 8
Progress review
→
Day 13
Near-final review
→
Three supervised client meetings anchor the camp. Day 3: creative brief confirmed. Day 8: progress showreel presented, direction adjusted. Day 13: near-final cut reviewed, last round of notes collected. Clients may opt to pay for the final deliverable.
Week 1 — Visual World
Week 2 — Sound Stage
Week 3 — Video Production
Python Cool Points
Exploratory — portfolio only
★ OpenArt — paid anchor
Section 04 — Production Pipeline
17-DAY
PIPELINE

Three client touchpoints anchor the camp. Everything before Day 3 is preparation. Everything between Days 3 and 8 is production. Everything after Day 8 is refinement. Day 17 is a wildcard celebration.

Week 1 — Discovery & Pre-Production · Jul 13–17
1
Mon
Jul 13
Camp Launch — Studio Orientation & Client World Research
Morning
Welcome to the studio. The Director's Mandate. What real clients expect. Camp structure, team assignments, and client brief introductions. Students read their client strategy documents.
Afternoon
Industry deep-dive. Teams research their client's world — competitors, audience, visual language, tone of voice. Build an initial creative intuition about what this video needs to feel like.
2
Tue
Jul 14
Tool Discovery — OpenArt, Meshy AI & Claude as Prompting Partner
Morning
OpenArt orientation — image generation, character builder, Director mode preview. Meshy AI — text-to-3D character and asset generation. Students generate first client-relevant visuals and characters.
Afternoon
Claude as prompting collaborator — how to describe a client's brand to Claude and get production-ready prompts back. Students practice prompt chains for their specific client's visual world. Moodboard creation begins in Canva.
3
Wed
Jul 15
🤝 Client Meeting 1
First Client Meeting — Discovery & Creative Brief Confirmation
Morning — Prep
Students finalise their 5 key questions. Review moodboard. Practice professional introduction. Instructor briefing on how to listen, take notes, and handle direction changes in the room.
Afternoon — Meeting + Debrief
Supervised client meeting. Students present initial creative direction and gather feedback. Post-meeting debrief: what changed? What was confirmed? Creative brief updated and locked by end of day.
4
Thu
Jul 16
Storyboard & Visual World — Building the Production Blueprint
Morning
Storyboard workshop — 6–10 panel storyboard built for the client's video. Every panel notes: shot type, voiceover line, music mood, visual element needed. This is the production bible.
Afternoon
OpenArt visual world building — generate concept images for each storyboard panel. Character builder locked for any on-screen characters. Luma AI intro + homework briefing for Gaussian splat capture tonight.
5
Fri
Jul 17
Asset Completion — Splat Exploration, Plask & Pre-Production Lock
Morning — Luma AI 🌍
Gaussian splat results explored. Students navigate the real-world location they captured. Portfolio reflection written. Discussion: could this location serve the client's story? How is spatial capture used professionally?
Afternoon — Plask.ai 🕺
Motion capture experience — students record a relevant movement. Portfolio documentation. Final pre-production check: is the storyboard complete? Are character assets ready? Production begins Monday.
Week 2 — Production · Jul 20–24
6
Mon
Jul 20
Score & Voice — Music Production and Narration
Morning — Suno AI
Film scoring — storyboard open, musical mood assigned to each panel. Scene-matched music generated for the client's brand tone. What does this company sound like? Caribbean instrumentation where relevant.
Afternoon — ElevenLabs
Narration script written panel by panel — voice, tone, and dialect calibrated to the client's audience. Scripts fed into ElevenLabs. Voice profiles tested. Lip-sync ready narration audio produced for each storyboard panel.
7
Tue
Jul 21
Sound Design — Soundscape & Full Audio Assembly
Morning — Sound Design
SFX and ambient soundscape built scene by scene from the storyboard. Each panel gets its sonic world — office ambience, street sounds, Caribbean textures. Freesound + ElevenLabs SFX. Every sound chosen for the client's world.
Afternoon — Full Audio Assembly
All audio layers brought together — music + narration + soundscape aligned to storyboard timing. Full audio master produced. Teams hear the complete audio landscape of their client's video for the first time. Does it feel right?
8
Wed
Jul 22
🤝 Client Meeting 2
Mid-Production Client Review — Show Progress, Get Feedback
Morning — Prep
Teams assemble a progress showreel — storyboard panels, concept images, narration audio, music sample. This is not the final video. It's proof of direction. Instructor reviews before client sees anything.
Afternoon — Meeting + Adjustment Sprint
Supervised client meeting. Present progress, get feedback, confirm or adjust direction. Immediate adjustment sprint after the meeting — any changes to visual style, narration tone, or story direction actioned today.
9
Thu
Jul 23
OpenArt Video Reveal — Mastering the Production Platform
Morning
OpenArt deep dive — image-to-video vs text-to-video, start/end frame technique, prompting for camera movement, mood, and lighting. Multiple characters in one scene. All demonstrated using the client's actual visual assets.
Afternoon — Director Mode
Full Director mode walkthrough. Teams run a practice clip using their actual client characters and storyboard. Frame chaining and consistency techniques locked in. Week 3 opens with zero friction on the platform.
10
Fri
Jul 24
🐍 Python Day
Soca Beat Machine + First Rough Cut
Morning — Python 🎵
Soca beat machine — building on Level 1 foundations, students construct a Caribbean-flavoured track: intro, build, drop. PyDub. Cultural joy, no client pressure. Cool points: could this track open or close the client video?
Afternoon — Rough Cut
CapCut rough cut — all concept visuals and first video clips assembled against the locked audio master. First cut screened. Gap analysis: what still needs to be generated in Week 3? Production priority list confirmed for Monday.
Week 3 — Video Production & Refinement · Jul 27–31
11
Mon
Jul 27
OpenArt Director — Full Film Production Sprint Begins
Morning
Teams open Director mode with their storyboard, locked characters, client brief, and approved visual direction. First full scenes generated through conversation. Instructor circulates coaching on cultural specificity and brand fidelity.
Afternoon
Production continues. Iteration and refinement. Start/end frame chaining applied between scenes. Character consistency checks. Every clip reviewed against the client brief before keeping.
12
Tue
Jul 28
Production Sprint — All Scenes Generated
Morning
Full production sprint. All remaining scenes generated. Focus on consistency — same characters, same visual style, same brand world across every clip. Gap analysis at midday: what is still missing?
Afternoon
Targeted re-generation for weak scenes. CapCut assembly — all clips laid against the locked audio master. First complete assembly cut. Teams watch their client's video from start to finish for the first time.
13
Wed
Jul 29
🤝 Client Meeting 3
Near-Final Client Review — Last Round of Notes
Morning — Final Prep
Polish the cut to near-final standard. Colour grade applied in CapCut. Titles and credits added. Narration sync checked. This is the version the client sees — it should feel close to done.
Afternoon — Meeting + Final Revisions
Supervised client meeting. Near-final cut screened. Last round of client notes collected. Final revision sprint begins immediately after — only confirmed changes from client feedback are made.
14
Thu
Jul 30
Final Polish & Film Lock
Morning
Final revisions from Day 13 client meeting implemented. CapCut polish: colour grade, transitions, pacing, titles, sound levels. Every cut reviewed against the client brief one final time.
Afternoon — Film Locked
Film locked — no more changes. Instructor approval required to lock. Delivery package prepared: master video file, social cut (60-sec), all project files organised. Portfolio documentation begins.
15
Fri
Jul 31
Portfolio & Pitch Preparation
Morning
Canva pitch presentation built — what was the brief? what creative decisions were made? which tools were used and why? what would they do differently? A director's commentary that shows professional reflection.
Afternoon
Full dress rehearsal — every team delivers their complete Premiere presentation. Timing check. Instructor feedback on confidence, clarity, and how well they represent the client's work.
Days 16 & 17 — Prep & Celebration · Aug 5–6
16
Wed
Aug 5
Technical Check, Reflection & Peer Recognition
Morning
Final technical check — all video files confirmed playing correctly. Audio levels checked. Presentation tested. Any last corrections. Delivery package confirmed for each client.
Afternoon
Reflection circle — what was the hardest moment? What would you do differently? Each student names one thing a teammate did that made the project better. Peer recognition activity.
17
Thu
Aug 6
🎉 Wildcard Day — Pure Vibes
Morning
No structure. No deliverables. No pressure. Students mess around with tools they didn't get to explore fully. Maybe the Python soca track plays loud. Maybe the instructor shows them something wild. Just fun.
Afternoon
Certificates. Group photograph. Goodbyes. They leave as filmmakers, consultants, and directors — with a real client deliverable in their portfolio.
Section 05 — Curriculum & Budget
CURRICULUM
SUMMARY

Three weeks. Three phases. Every session serves the client deliverable. The Python soca day is the one session that belongs entirely to the students.

WEEK 1
Discovery &
Pre-Production
Days 1–5 · Jul 13–17
Story locked. Client brief confirmed. Storyboard complete. Visual world established in OpenArt. All assets ready for production Monday.
1
Studio Orientation & Client Research
Team assignments, client briefs introduced, industry research begins
2
Tool Discovery
OpenArt, Meshy AI, Claude as prompting partner, moodboard in Canva
3
Client Meeting 1 CLIENT
Discovery meeting, creative brief confirmed and locked
4
Storyboard & Visual World SPLAT PREP
6–10 panel storyboard, OpenArt concept images, Luma AI homework briefing
5
Asset Lock SPLAT
Gaussian splat exploration, Plask.ai motion capture, pre-production locked
WEEK 2
Production
Days 6–10 · Jul 20–24
Score, voice, and sound-design the film. Every audio session serves the storyboard. OpenArt video capabilities unlocked. Rough cut produced.
6
Score & Voice
Suno AI scene music + ElevenLabs narration, panel by panel
7
Sound Design & Audio Assembly
SFX + ambient soundscape + full audio master produced, teams hear complete audio
8
Client Meeting 2 CLIENT
Progress showreel presented, feedback gathered, adjustments actioned
9
OpenArt Video Reveal
Image-to-video, start/end frame, Director mode, consistency techniques
10
Soca Beat Machine + Rough Cut PYTHON
PyDub soca beat, CapCut rough cut assembly, gap analysis for Week 3
WEEK 3
Video Production
& Refinement
Days 11–15 · Jul 27–31
All scenes generated. Client near-final review on Day 13. Film locked Day 14. Portfolio and pitch complete by Day 15.
11
Director Mode Sprint Begins
Full film generation in OpenArt Director with client assets and storyboard
12
Production Sprint + First Assembly
All scenes generated, CapCut full assembly, first complete cut screened
13
Client Meeting 3 CLIENT
Near-final cut reviewed, last round of notes, final revision sprint
14
Final Polish & Film Lock
All revisions actioned, film locked, delivery package prepared
15
Portfolio & Pitch Prep
Canva director's commentary, full dress rehearsal of Premiere presentation

Day 16 Wed Aug 5 — Technical Check & Reflection

All files confirmed. Audio levels checked. Reflection circle and peer recognition activity. Students name what a teammate did that made the project better.

Day 17 Thu Aug 6 — 🎉 Wildcard Day

No structure. No deliverables. Pure vibes. Certificates, group photograph, and goodbyes. They leave as directors with a real client deliverable in their portfolio.

Subscriptions & Budget

Per-team accounts. No shared queues. Each team operates as an independent studio. OpenArt is the anchor — one subscription covers the majority of the production pipeline.

Tool Cost/mo Basis Role in this curriculum
OpenArt Infinite ★ $56 Per team Images · video · Director mode · character consistency · lip sync · music · SFX · voiceover · 100+ models. The full production pipeline in one platform.
Suno AI $10 Per team Dedicated music education — Caribbean scoring, scene-matched tracks. Watermark-free export for client deliverable.
Meshy AI $20 Per team Text-to-3D character and asset generation. Informs OpenArt prompting. Exploratory use in Week 1.
ElevenLabs $5 Per team Caribbean dialect narration, voice cloning, emotional control, lip-sync ready audio for client video.
CapCut $8 Per team Watermark-free final film export and editing assembly. Client-ready output.
Total per team ~$99 Per team/mo Free tools: Luma AI, Plask.ai, Freesound, Udio, Canva, Python (Google Colab), Claude (prompting assistant)

Monthly Budget — 5 Teams

5 teams confirmed
$396
per month · total software cost

Note on pricing: All subscription costs shown are monthly billing rates — no annual commitment required. Annual billing is available on most platforms at a 20–50% discount, but ties you to a 12-month contract. For a 3-week camp, monthly billing is the right call.

Why OpenArt is the anchor: One subscription covers image generation, video generation, Director mode, character consistency, lip sync, music scoring, voiceover, and SFX. Multiple industry-leading models (Kling 3.0, Veo 3.1, Sora 2, Seedance 2.0) under one credit pool. Purpose-built for narrative storytelling with consistent characters — exactly what a client video requires. Students use it from Day 1 and grow with it across all 17 days.

Section 06 — Visual Language
STYLE
REFERENCES

Six production styles that fit your clients' briefs. Use this in client meetings — show the reference videos, let the client react, and confirm their visual direction before production begins.

01
Motion Graphics & Infographic
Data · Process · Service explanation

Text, shapes, icons, and data brought to life through animation. Clean, modern, brand-forward. Best for explaining abstract concepts and services visually.

ECCB Digicel IRD SCASPA
▶️
TaxEDU Animated Explainers
Clean public education motion graphics — perfect IRD/ECCB reference
↗ taxfoundation.org
▶️
Best Corporate Videos 2026 — CrowdSec
Cybersecurity motion graphics — nearly identical to Digicel's brief
↗ mainspringagency.com
02
2D Character Animation
Approachable · Educational · Warm

Illustrated characters moving through a story. Flat design or expressive cartoon style. Accessible and human. Best for reaching broad audiences with complex or sensitive subjects.

ECCB IRD
▶️
Punchy Studio — Government Animation Examples
11 real government animation videos — civic education done well
↗ punchystudio.com.au
03
3D Animation & CGI
Premium · Cinematic · Immersive

Three-dimensional rendered environments and characters. High production feel. Best for visualising invisible services, large-scale infrastructure, or premium brand positioning.

SCASPA Digicel ECCB
▶️
B2W — Best Cybersecurity Videos
3D tech animation — Panda Security and Accedian examples
↗ b2w.tv
▶️
Vimeo Best Branded 2024 — Jindal Steel Film
Cinematic infrastructure pride — near-perfect SCASPA reference
↗ vimeo.com
04
Cinematic Live Action
Real · Human · High production value

Real people, real locations, high production value. Commercial or documentary style. Best for people-centered brands and organisations with a physical world worth capturing.

Outsource Dev SCASPA Digicel
▶️
Levitate — Brand Story Video Examples
People-centered cinematic storytelling — ideal Outsource Dev reference
↗ levitatemedia.com
▶️
Screencraftmedia — Brand Film Portfolio
Cinematic corporate brand films — SCASPA and Outsource Dev reference
↗ vimeopro.com
05
Mixed Media
Flexible · Complex · Layered

Combines two or more styles — live action with motion graphics, documentary interviews with animated data cutaways. The most versatile approach for complex briefs.

All 5 clients
▶️
Bold Content — Top 10 Brand Videos 2024
Colt Technologies film — live action + motion graphics, Digicel-identical brief
↗ boldcontentvideo.com
▶️
Superside — Corporate Video Storytelling
Thomson Reuters CoCounsel — documentary + motion graphics seamlessly combined
↗ superside.com
06
Social Media Reel
Vertical · Fast · Platform-native

Vertical or square format. Fast cuts. Text overlays. Hook within 2 seconds. Designed for Instagram, TikTok, and WhatsApp — not a shortened main film but a standalone creative challenge.

All 5 clients
▶️
Column Five — B2B Video Examples
SurveyMonkey and Dialpad examples — punchy social-native energy for all five clients
↗ columnfivemedia.com
How to use this in a Day 3 client meeting
Show your client the two style references that best match their brief. Play 60–90 seconds of each. Ask: "Does this feel like your brand — or does it feel like something you'd want to avoid?" Their reaction gives you a creative direction no brief question ever could.